They toss a ball back and forth and dream of fleeing their small town to visit California, promising they’ll be “friends to the end,” and it’s the kind of intense bond best pals share when they’re tweens, before puberty hits and girls become a distraction.
A miracle excavated from the sunken ruins of the tragedy, and also a masterpiece rescued from what seemed like a surefire Hollywood fiasco, “Titanic” could be tempting to think of given that the “Casablanca” or “Apocalypse Now” of its time, but James Cameron’s larger-than-life phenomenon is also a great deal more than that: It’s every kind of movie they don’t make anymore slapped together into a 52,000-ton colossus and then sunk at sea for our amusement.
Back while in the days when sequels could really do something wild — like taking their major lousy, a steely-eyed robotic assassin, and turning him into a cuddly father determine — and somehow make it feel in line with the spirit in which the story was first conceived, “Terminator 2” still felt unique.
Other fissures emerge along the family’s fault lines from there since the legends and superstitions of their earlier once again become as viscerally powerful and alive as their challenging love for each other. —RD
The timelessness of “Central Station,” a film that betrays Not one of the mawkishness that elevated so much in the ’90s middlebrow feel-good fare, may be owed to how deftly the script earns the bond that varieties between its mismatched characters, and how lovingly it tends on the vulnerabilities they expose in each other. The benefit with which Dora rests her head on Josué’s lap within a poignant scene implies that whatever twist of destiny brought this pair together under such trying circumstances was looking out for them both.
A married man falling in love with another gentleman was considered scandalous and potentially career-decimating movie fare from the early ’80s. This unconventional (within the time) love triangle featuring Charlie’s Angels
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That’s not to state that “Fire Walk with Me” is interchangeable with the show. Operating over two hours, the movie’s temper is far grimmer, scarier and — within an unsettling way — sexier than Lynch’s foray into broadcast television.
A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second film found the 28-year-previous directing with the swagger of the young porn star in possession of a massive
S. soldiers eating each other in a remote Sierra Nevada outpost during the Mexican-American War, as well as the last time that a Fox 2000 govt would roll as many as a established three weeks into production and abruptly replace the acclaimed Macedonian auteur she first jock rims n barebacks plumber in office hired with the position with the director of “Home Alone 3.”
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Despite criticism for its fictionalized account of Wegener’s story and also the casting of cisgender actor Eddie Redmayne inside the title role, the film was a group-pleaser that performed well on the box office.
This underground cult classic tells the story of a high school cheerleader who’s sent to conversion therapy camp after her family suspects she’s a lesbian.
Hayao Miyazaki’s environmental anxiety has been on full display since before Studio Ghibli was even born (1984’s “Nausicaä in the Valley on the Wind” predated the animation powerhouse, even mainly because it mom sex planted the seeds for Ghibli’s future), nonetheless it wasn’t until “Princess Mononoke” that he instantly asked the problem that percolates beneath all of his work: How do you live with dignity within an irredeemably cursed world?